Khan, her debut album has been critically hailed as one of the year's. The Verlon Thompson song 'No Good Way To Go' even includes a playful rap as it takes a less than serious look at breaking up (not as hard to do as it was in the early 1960s, perhaps!). But as this new set proves, Billy's still got plenty to bragg about, and he fairly and sincerely celebrates that tag in the face of adversity, for his concerns are still ours - or should be! Having said that, the opener, Willpower, is a really attractive and unusually gentle country-style ballad that seems to waft in from another era, with the pedal steel perfectly complementing leader Paul's vibes. At the end of the day the most remarkable thing about this release is that it is merely a retrospective rather than a greatest hits or indeed a box set for what it displays is that Peter Bruntnell is a writer and performer of the. Proving that intended humour is never far away, in the percussive Whatever It Was Brown mentions that there was a drive-by shooting last week in Lake Wobegon.
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White puts in appearance to play guitar solo on the opening scuffed shuffle Who's To Say (a creepy stalker song but arguably the most upbeat notes here but Blanche (and surely there's a colour link here!) don't need any namedropping to earn their own stripes. However, every now and then they can't resist the temptation to reach back in time, When I Come Home and Honky Tonkin Lifestyle are pure bred and traditional. There's six band numbers with solid versions of skiffle and rock n roll classics Maggie May (The Quarrymen's live debut in the film That'll Be The Day, That's All Right, and the twangy guitar instrumentals Movin' N' Groovin' and (a McCartney showcase on screen) Raunchy. Not to say it's old school Waterson/Carthy stuff her pop sensibilities are still well in evidence while the likes of Fall From Grace (done wrong woman kills her lover Sirens (a firefighter's wife acknowledges his courage despite having had to leave, unable to cope with. And by the way, the set's "no-lose" presentation deliberately, and rather usefully, codes Eric's celebrated introductions and the songs separately. A personal favourite of mine is the rocking Creepsville, which might be a surreal story of a musician on the road (or maybe not! " Cowboy Beat " gives a lot of bass guitar, but isn't up to the other tracks. The tunes are an interesting selection and embrace the minor-key delights of The Peacock Followed The Hen (from the Northumbrian Minstrelsy a sparkling set of pipers' jigs and a handful of inspired self-penned compositions in the traditional idiom. Ackroyd Band (that of the ever-changing pawsonnel!) presents a dogzen or so songs from the Barker back-catadogue.
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